Watch Rwby Volume 6 Episode 8 Full Episode -review -reaction
As fans of 'RWBY' expect the release of volume 9 in 2022, now is the perfect fourth dimension to go back and re-picket the web series, both as a refresher on the events that have taken place and to get a new feel from the story subsequently knowing where it's led so far. The characters in the series have come up a long way since 'RWBY'southward premier in 2013, both in terms of animation quality and character development. And at present that and so much 'RWBY' content has been released (all 8 volumes clocking in at around 24 hours total), there's a way for fans to savor the story all over again only with a different experience: every bit films rather than episodes (a.k.a., 'RWBY' Consummate).
Watching 'RWBY' as a series of eight feature-length films provides plenty of new viewpoints. For one, the pacing of 'RWBY' has e'er been a strange experience, especially for those who take been fans from the beginning and watched the show as it came out weekly. A lot about 'RWBY' has changed over the years, including episode length and focus. Most of book one'southward episodes clock in at around 6 minutes; it isn't until volume 4 that the average episode length grows to a more consistent 15–20 minutes, and almost of volume 8'southward episodes are the traditional 22-minute length for cartoons/anime.
For this reason, the pacing of the earlier volumes feels strange; viewers are watching a larger story broken up into tiny pieces. This viewing feel, while digestible, moves the plot along extremely slowly. This is admittedly helpful for the writers when the story is make-new and has the potential to become in many different directions, but later three volumes of wondering what the plot is going to exist, the mystery gets one-time.
Watching the show equally a moving picture presents the story as a more than cohesive experience, especially in the before volumes. The picture version of the testify doesn't include the intro or credits between each chapter, and so each storyline runs smoothly into the next. Suddenly, petty plotlines that stretch across multiple episodes and only lead to a tiny resolution are smaller road bumps on the larger journeying. The volume 2 food fight and the trip the light fantastic-off seem out of place when they are presented in an episodic format, but when they appear as smaller quirks in an entire film, they aren't as distracting as they are fun.
Watching an entire volume in one sitting maintains its amuse and makes the light-hearted tone of the kickoff iii volumes all the more enjoyable. This first act (volumes one–3) feels shorter and more deliberate. Enjoying the series equally a series of films profoundly improves the pacing.
Of import characterization points are more conspicuously seen this way every bit well. Each volume has its own set of focus characters, and they shine brighter in the context of a feature motion picture. Volume iv is a prime example. Episode-past-episode, the focus isn't as articulate because the characters are split apart for the first time, on their own journeys in different parts of the world. Several episodes could become by earlier returning to an important graphic symbol arc, like Blake'due south (Arryn Zech). At that place are numerous important characters and, due to the short episode length, non enough time to explore them all in full, especially when volume 4 doubles the number of villains and adds Oscar (Aaron Dismuke) equally a new main graphic symbol.
Equally a characteristic moving picture, it's easier to see how each graphic symbol's struggles, and ability to button through those struggles, culminate. Equally Ruby's (Lindsay Jones) new team, RNJR (the biggest group of of import characters that initially totals iv people and later adds a fifth), journeys across Mistral, they are all forced to push button through the trauma of the past and focus on the present. Scarlet struggles with the hard truth that sometimes stories don't terminate happily ever later, and Jaune (Miles Luna) continues his training despite the loss of a honey friend. Despite Nora (Samantha Ireland) not having much to do this book, she remains as a constant and steady source of support for the squad. The nigh prominent RNJR graphic symbol moment revolves around Ren (Neath Oum), who is desperate to run from the retentiveness of his family and hamlet slaughtered by the Nuckelavee just must face it to save his new family.
Episode-past-episode, Ren'southward face up-off confronting the Grimm who decimated his childhood comes out of the blue, as other episodes earlier the run into heavily featured other characters, some of which are from the main team RWBY. But without the interruption of opening and ending credits, and watching the story the whole way through in one sitting, the story progression toward Ren'south face-off is subtle, only noticeable, and this result is the perfect way to cease the volume.
Later on volumes have longer runtimes, every bit 'RWBY' moves closer toward standard 22-infinitesimal episodes. Every bit the story begins to build toward a culmination (and peradventure in the adjacent few volumes, a determination), the series is becoming more consistent with technical aspects—non just in terms of episode length, only also with animation and graphic symbol expressions. It took a long time for the series to solidify the overarching plot, simply now that information technology is articulate and the characters are completely motivated, the story is in full swing. Episodes have go more than consistent in structure, having more of a beginning, middle, and terminate.
Watching volumes 5–7 would be committing to 3+ hours each in 1 sitting, and book 8 is 4 and a half hours total, 'RWBY's longest volume yet. Withal, since this is the point where the story is culminating and characters are on the movement, watching these later volumes as feature films instills a similar feeling to an MCU, The Lord of the Rings , or Star Wars marathon: the longer runtime is worth the rising activeness. In the case of volume 8, this film could easily be broken into two movies, as often happens toward the end of a moving-picture show franchise (e.1000., Harry Potter and the Deathly Hallows or The Hunger Games: Mockingjay ).
In all honesty, 'RWBY' is an engrossing, charming, and fun series, whether it is enjoyed episode-by-episode or as a string of characteristic films. There are strengths and weaknesses to both methods. For example, watching the pic versions of 'RWBY' would mean missing the repeated intros and outros, and it would also take away from the weekly excitement of watching the episodes as they are released. Enjoying 'RWBY' as an episode-by-episode series has its benefits.
However, on the adjacent rewatch of 'RWBY' in training for book ix, viewers can gain a unique and dissimilar experience of the evidence when they lookout each volume as an unabridged movie. If you love the show and want a new perspective, try the feature film experience and run into how 'RWBY' changes.
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